Peter Gabriel “San Jacinto”
As soon as I said “interim”, the pieces fell into place. I swear, I nearly heard the clicking.
I’ve said it before, and it never felt more true: nothing about me is ever true until I actually say it.
Very rarely do I drop a music sharing post where I upload something by one artist. When I do, it’s pretty worthwhile.

This is the 1993 single for David Sylvian and Robert Fripp’s “Darshan”, a track off The First Day, their album from the same year. As you can see, it’s an attractive cover, thanks to the talents of Vaughn Oliver at V23 (who you may know from doing nearly everything 4AD ever put out). It has three tracks: the song in question plus two remixes. One remix is by The Grid, the other remix is by The Future Sound of London. It opens with the remix by The Grid. It’s one of the highlights of their career, an uplifting, lightly funky piece that sustains a groove and doesn’t bore the listener even though it’s 16 minutes long. The Future Sound of London remix diverges a bit more, enough so to get retitled “Darshana” and for Dougans and Cobain to get a writing credit. If The Grid remix is one of the highlights of their career, the FSOL remix would be a highlight of anyone’s career. It’s perhaps stylistically similar to some of the remixes Global Communication were doing around the same time, and has a sense of beauty and lightness that GC often achieved in their remixes, but has a slightly off undercurrent and a psychedelic quality that FSOL were known for. In other words, it’s a keeper, and I could listen to it for a loooooooong time.
Take a listen. I guarantee that in the right frame of mind, any of these three songs could be one of the best things you’ve ever heard.
I hadn’t done a mix in a long while, and after that awful Red Wings loss Saturday, I needed to turn up some loud music and feel a little better. I ended up throwing a mix together that’s a little springly. Saturday was a warm, sunny spring day; Sunday was a cooler, rainy spring day. It’s a little sloppy at the beginning, but there are some inspired moments throughout.
Young America Primitive “These Waves“
God Within “Raincry” Submerged
The Future Sound of London “Papua New Guinea” Journey to Pyramid
Chicane “Offshore“
Lush “Stray” Groove Mix
Dance 2 Trance “Hello San Francisco“
Utah Saints “Trance Atlantic Flight“
Spooky “Little Bullet (part one)“
Jam & Spoon “Stella” The Lost Bet Mix
Orbital “Lush 3 – 4 Warrior Drift“
Feedback “I’m for Real (1)“
The Shamen “Rausch”
Yeah, it’s progressive house and trance. Disturbing from me, isn’t it? I mean, holy crap, it’s fucking “Offshore”. Well, y’know, it’s a decent tune and mixes so well into that Lush remix…yeah, a Lush remix by the Drum Club. Stick around for the end: the Feedback track is LFO in disguise, and the Shamen track is from their out-there album, Hempton Manor, and is pretty bangin’. So, yeah, fucking trance music was good back in the early ‘90s.
[disjointed entry alert: sort of writing this one on assignment, as it may be]
People have accused me of living in the past. This is simply not true — I just don’t appreciate the present until it’s become the past. I think it started when I was around 15. I have (had?) very few memories of childhood, so it makes sense that I can’t really miss the past until there’s enough of it at a distance to miss, and I’m old enough (self-aware) to actually notice it. Also, I’m not missing the past specifically: I have always missed the first time I felt any particular way. Well, maybe “miss” is the wrong word. I long for that moment when I recognise I am feeling a new (to me) emotion or noticing the way sensory inputs have aligned in a particularly sublime way.
As my childhood was, er, abnormal, it’s no real surprise I didn’t really start to learn about and recognize emotions until I was in my pre-teens. I think the first time one of these moments occurred was when I was around 11, and I remember missing it within a few years. Since then, it’s been at least one thing every year that gives me a sort of bittersweet, existential feeling.* I’ve catalogued all of these sensations of heightened self-awareness and I wish I could turn back the clock to feel them again…but not at the age I was when it happened, because I didn’t actually appreciate the experience until a couple years later. I want to be myself at my current age as an omniscient observer of my internal dialogue at the time when I was breaking into new emotional territory. Oh, man, that sounds ridiculous, doesn’t it? I should think about that for a minute.
…
Ok, I’ll stand by that, but maybe I need to realize that the way I live now, yearning for the experience of the new, has great value to me. This actually brings me to the main reason why I’ve embarked on writing this utterly self-serving blog entry. Only in the past year or so have I learned that I am not doomed to a life of longing for the past via its traces in the present.** I realized, like the genius that I am, that every year a couple new things happen. Taking it to another level, things have never stopped happening. Oh snap, that means they probably won’t either. Now why might it be worth more for me not to notice how I’ve learned (important word) after a few years? This allows me to take the experience that has happened to introduce me to a new emotion and see how I have unconsciously learned from it (or not), seeing if I did well or if I need to make changes.*** If I was in tune with it at the time, I’d undoubtedly fuck it up and learn from it incorrectly. Another aspect of getting older is that I know that my first impressions of an experience are usually poor, so a relatively ingrained behavior of ignoring my first impressions is pretty advantageous to my personal growth. This is a complicated thing perhaps ready for another blog post in a few months, if I even feel like discussing publicly is something that merits doing. Although it is why I started this post…
Yeah, I’ll finish the thought. This may sound sorta like bullshit, but I’m trying to reconnect. See: childhood, awkwardness therein; further see: syndrome, Asperger’s, my. Ahh, been a while since I dragged that old chestnut onto al-bloggariya, hasn’t it?**** Well, it’s been on my mind WAY more than usual lately. Don’t get me wrong, I’m not about to suggest that the time has come for me to finally transcend that and join the regular folk. Ha, no, as if. Lately, though, I have been noticing that my natural inclinations have been preventing me from being the person I want to be, so I wish to add new traits and perhaps refine some that I already have, all while keeping my identity intact (that means you, Hans’ handiwork).
Changing? Keeping your identity intact? Sounds hard, some might say. Pish posh, I say. Change is for those who’ve made mistakes and don’t like themselves, some say. Well, shit, they don’t say that to me, because I don’t know anyone who’s a closed-minded fool who believes that it’s a good idea to stand in the way of change (= progress, look it up, dammit).
[see, I told you this would be pretty self-serving]
* So, in a way, an existentially bittersweet feeling is one of the first emotions I became familiar with. No surprise I was a pretentious shit in high school, eh?
** Who grokked hauntology from the moment he heard of it? This guy, that’s who.
*** E.g.: 2003 was when I learned about jealousy. Yeah, I’d never felt it until then. Those were fun times; I’m sorta still trying to atone for them.
**** I’ll thank you for kindly refraining from informing me that it’s been a while since I really dragged much of anything onto here.
Everything ever said about the relativity of time — be it serious or jokey or wrong — is right. Short expanses of time can be unendurably long, long stretches of time can pass by without notice, and now lasts forever while the past and the future never existed and never could or will. I whiled away last Saturday by sleeping until two in the afternoon, taking two hours to consider myself fully awake, and then pretty much plopping myself under a blanket in front of the TV for 10 hours, at which point I went back to bed. I think my psyche required such a day, as I had essentially been on the go (Yale, Massachusetts, Pennsylvania, San Francisco, San Diego) for the better part of a month. At one point, I had only slept in my bed 8 days of the previous 28. Considering my needs of the world and its needs of me, it is occasionally required that I achieve a fully vegetative state. more follows
March first is a good day to post this, right? I mean, the rush to get these out is gone, so now mine will appear more important for lack of competition.
So, remember how I did it last year? The tiering system, as opposed to rankings? Yeah, that’s how I’ve been rating everything since then. Hard and fast rankings are for the inflexible and narrow-minded.
The xx The xx
Telefon Tel Aviv Immolate Yourself
DJ Sprinkles Midtown 120 Blues
The Lullaby League Dormio Animus
Monolake Silence
Intrusion The Seduction of Silence
Yep, these are the best. Not only are they really good, but they’re really moving. That may come as a surprise in the case of Monolake. It’s a good Monolake album, on par with Interstate, for sure, but moving? Perhaps an odd claim, but I find this album really affecting. The same goes for the Intrusion album. Not only am I completely comfortable calling that one of the best (dub or otherwise) techno albums of all time, it’s so evocative.
DJ Sprinkles is Terre Thaemlitz’s moniker for house-influenced material, as opposed to his usual glitched ambience. Amazing how one guy (er) could do two such diverse genres so well. Midtown 120 Blues is one of the three best house albums I’ve ever heard. Granted I’m not a house head, so my tastes are a bit off, but this is a classic. It’s really warm and organic, uplifting yet moody, and just sloppy enough. Oh, you can dance to it, of course. Now that you know about Terre, I bet the Lullaby League is the obscurest thing here. I don’t know much about them either. I stumbled across this album, and it transfixed me. It’s also warm, organic, and kinda sloppy, but it’s a slightly glitchy ambient album with some great spoken word on top. It does wonderful things: when you’re trying to fall asleep and listening to it, it keeps you in the space between asleep and awake. Really cool.
Many know the story of the Telefon Tel Aviv album at this point: two guys, one of them kills himself the week before this album is released. I don’t bite on those kinds of stories; the music stands alone to me. In the end, I am selfishly moved by his death, because this is the first Telefon Tel Aviv album that blew me away…and now I don’t get another. Shitty. So go buy this one. It’s shoegazey-IDM-synthpop. Odd combo, I know, but I love it.
And then…the xx. Forced to choose, I think I have to go with this album as my favourite of last year (with very close competition from Intrusion). It’s pretty much perfect. A lot has already been said about it, so I’ll try and not repeat any of it. It’s amazing. Go buy it. (Crap, that’s already been said.) The most astonishing thing about this album is its restraint. To make an album so subtle and relaxed is not completely astonishing, but it is for four 20-year-olds. That’s the age when rocking is important. Subtlety is for the old who can’t handle the noise. Let this be the first sign of a new era in barely-there music.
underworld “beautiful burnout”
blood on the tissue on the floor of the train
sun goes down
temperature drops
beautiful burnout, beautiful burnout
bird
chrome
that’s it. simplicity always creates a stronger image.
…according to last.fm, anyway.
my top 20 artists for the year:
part of me is a little let down that it isn’t “weirder”, but that’s really a foolish thing to complain about. in retrospect, i guess i had a pretty crummy year, so no shock i went with “comfort” music.
two relatedlys:
if this seems like a blog post that somebody would put up if they were posting more often, i.e. you expect there to have been more serious, realistic content before this, especially in light of the year changing and holidays and all that crap, well, you’re right. there is a bunch of content in the space between this and my last post. no, you can’t see it. it isn’t written, it probably will never be written, and, really, there’s nothing melodramatic about that. consider this my apologia to myself for beating myself up over not posting more often. just because i’m not “posting to my blog” doesn’t mean i’m not recording events and generating content. it just doesn’t transcribe to this format.
i miss the podcast. i miss sharing music i like with my friends. le sigh. so…
a little comp i prepared, in memory of autumn. last day of november, last day that really is “autumn” as it’s emotionally defined. maybe you live someplace warm and sunny and you didn’t really get an autumn: this should help put a cloudy chill in the air.
“Violina: the Last Embrace” Lisa Gerrard The Mirror Pool 1995
“Your Helping Isn’t Helping” The Boats Words Are Something Else 2009
“Atemlos” Zwischenfall Gestern und Heute 1983
“Warten” ExKurs Fakten sind Terror 1981
“Are You Alone?” Skanfrom Are You Alone? 2009
“How Difficult It Is” Zerkalo Stoi Storoni Zerkala 2009
“Where’s Your Child?” Bam Bam Where’s Your Child? 1988
“Untitled 08″ Television Set & Others in Conversation November Session 2009
“I Lived My Life to Stand in the Shadow of Your Heart” A Place to Bury Strangers Exploding Head 2009
“Pleasure and Pain” The Chameleons Radio 1 Evening Show Sessions 1983
“Severance” Ride Waves: Peel Sessions 1990 – 94 1991
“Witch Hunt” The Church Priest = Aura 1992
“Two Hands” Nudge As Good As Gone 2009
“The Dawn” DJ Krush Kakusei 1999
“Sometime Later” Alpha Come From Heaven 1997
“The Host of Seraphim” Dead Can Dance The Serpent’s Egg 1988
(zip file)
if you use iTunes, import the .xml playlist file. if you use some other player, there’s an .m3u file.
update: thanks to morgan of commenting-below-fame, here is an updated m3u file if the included one doesn’t work.